After
auditioning two different Samsung UN64F8500 plasma TVs each of which had
absolutely superb images, the annoying issue with plasma RF interference and my
high-end electronics made me move to a non-plasma choice. Know that it was NOT
the Samsung brand of plasma TVs that caused me to eliminate this display
technology from my home theater, but rather the plasma technology itself. I
love the visual results this technology yields but I hate what it does to my audio
system.
While
providing a stellar picture superior to that of an LED, our choice of an
LED TV was a compromise just like anything regardless of what you are
considering to add to your system. For the plasma technology, there were
two strikes against it: 1) the RF noise (I spend a lot of time and money
assuring that this is eliminated from my system), and 2) potential health
issues from prolonged exposure to high levels of RFI (although there is little
scientific evidence that humans are adversely affected by such exposure,
risking my health by believing those in authority on this matter is not
who I choose to trust). IMHO, anyone putting a plasma TV into their
high-end theater (or owning any kind of plasma display device for that matter)
is woefully uninformed.
With
that said, there are a few very good choices for high-tech LED models and we
decided on the Samsung UN65F8000 3D LED model as our next resident in our home
theater room. With a very narrow frame, thin profile, and reasonably light
weight for such a large screen, this Samsung fit right in to our needs.
Replacing a 52" LCD, the newest black technology for this screen boasted
plasma-like blacks and - well, read on to find out.
Samsung UN65F8000
This
TV is pretty large, above average in display size but not altogether that
heavy. Compared to the 5-year old LCD it replaced, this unit was a little
lighter so mounting it in place on the existing stand was not an issue. The I/O
cables are on the RH side (as seen from the front) and on the LH side on the
old set, so interconnects were rerouted accordingly. The power cord enters in
the LH side of the set and I put a toroidal core on it to help eliminate any
stray RF interference (double loop of the cord through the core bonded closed
with cable ties). These cores are also on all other pieces of equipment in my
rig.
Toriodal Core on Power Cord
This
TV has a lot of built-in processing ability. The calibration settings
out-of-the-box are fair but lead to over-driven whites and exaggerated reds,
and with a bit of patience and the HD Basics calibration disk , I adjusted the
levels to meet our viewing preferences. My settings are listed below.
Picture Menu
Picture Mode
|
Movie
|
|||||
Backlight
|
16
|
|||||
Contrast
|
90
|
|||||
Brightness
|
46
|
|||||
Sharpness
|
20 (rec. 3)
|
|||||
Color
|
49
|
|||||
Tint
|
G51/R49
|
|||||
Picture Size
|
16:9
|
|||||
3D
|
3D Mode
|
Off
|
||||
3D Auto View
|
On
|
|||||
PIP
|
Off
|
|||||
Advanced Settings
|
Dynamic Contrast
|
Off
|
||||
Black Tone
|
Off
|
|||||
Flesh Tone
|
0
|
|||||
Color Space
|
Auto
|
|||||
White
Balance
|
R-Offset
|
24
|
||||
G-Offset
|
25
|
|||||
B-Offset
|
25
|
|||||
R-Gain
|
23
|
|||||
G-Gain
|
26
|
|||||
B-Gain
|
25
|
|||||
10p White
Balance
|
Interval
|
R
|
G
|
B
|
||
1
|
-3
|
-1
|
-4
|
|||
2
|
0
|
0
|
-1
|
|||
3
|
0
|
0
|
-1
|
|||
4
|
-3
|
-3
|
-5
|
|||
5
|
-3
|
-5
|
-8
|
|||
6
|
-4
|
-7
|
-10
|
|||
7
|
-5
|
-8
|
-10
|
|||
8
|
-3
|
-6
|
-10
|
|||
9
|
0
|
-3
|
-6
|
|||
10
|
-6
|
0
|
-8
|
|||
Gamma
|
0
|
|||||
Expert Pattern
|
Off
|
|||||
Motion Lighting
|
Grayed out
|
|||||
Picture Options
|
Color Tone
|
Warm2
|
||||
Digital Clean View
|
Auto
|
|||||
MPEG Noise Filter
|
Off
|
|||||
HDMI Black Level
|
(grayed out) Low
|
|||||
Film Mode
|
(grayed out) Off
|
|||||
AutoMotion Plus
|
Standard (Rec. On)
|
|||||
Blur Reduction
|
10
|
|||||
Judder
|
0
|
|||||
LED Clear Motion
|
Off
|
|||||
Smart LED
|
Standard
|
|||||
Cinema Black
|
Off
|
|||||
Picture Off
|
N/A
|
|||||
Apply Picture Mode
|
All Sources
|
Smart Features Menu
Apps Settings
|
Auto Ticker
|
Off
|
Push Notification Settings
|
N/A
|
|
Channel-Bound Apps
|
N/A
|
|
Properties
|
N/A
|
|
Social Settings
|
N/A
|
|
Voice Recognition
|
Off
|
|
Motion Control
|
Off
|
|
Remove Viewing History
|
History
|
N/A
|
Photos, Videos & Music
|
N/A
|
|
Samsung Account
|
N/A
|
|
Notifications
|
N/A
|
|
Open Smart Hub
|
N/A
|
|
Terms & Policy
|
N/A
|
|
Smart Hub Reset
|
N/A
|
System Menu
Eco Solution
|
Energy Saving
|
Off
|
Eco Sensor
|
On
|
|
Min Backlight
|
3
|
|
No Signal Power Of
|
15
|
|
Auto Power Off
|
Off
|
|
Auto Protection Timer
|
4 hours
|
|
General
|
Game Mode
|
Off
|
BD Wise
|
Off
|
|
Menu Transparency
|
Medium
|
|
Sound Feedback
|
Low
|
|
Panel Lock
|
Off
|
|
Boot Logo
|
Off
|
|
Light Effect
|
Off
|
|
Anynet + (HDMI-CEC)
|
On
|
|
Auto Turn Off
|
Yes
|
|
DivX Video On Demand
|
N/A
|
With
the menu settings administered as above, the lip-sync was way off compared to
the old LCD. Setting the AV Delay in my OPPO BDP-105 at +70 yields very good
audio-video synchronization (aka lip-sync).
What's
WRONG with It?
- Picture quality. Any LED picture is definitely not up to the same video quality as a high quality plasma TV but this one is closer to plasma quality than most. Blacks are very black for an LED set but again not as good as the best plasmas on the market. As a result, the richness of deep colors is just not there - close but no cigar.
- The screw holes for mounting the thin profile to a wall bracket are incredibly short (only about 10mm deep) so most mounting hardware must be tossed for much shorter M8 screws.
- The 3D technology uses the active shutter method and I am not a fan of quickly blinking battery-powered glasses (if you have a medical condition where you are sensitive to rapidly-flashing lights, you may not be able to use this technology in your home). More on this in a bit.
- 3D ghosting was still visible in some (but not all) high-contrast scenes.
- Dynamic color tracking (shifts in shades as color intensity rises and falls) is pretty good under most conditions but plasmas are constantly better.
- Minor uneven color intensity in large areas of dark color (e.g., deep blue skies have minor rises and falls of color hue)
- Viewing more than 30 degrees off center makes the picture wash out.
- And like all flat panel sets, the built-in speakers suck.
But
that is about all I can say that I would fix with this set. Now on to the good
things.
What's
RIGHT with It?
This
is beautiful television set with some of the most accurate colors I have ever
seen, even in ultra HQ plasma sets. While still lacking the deep richness of the
best plasmas, the color accuracy of this set was actually superior to them in
many other regards. Discrete shades of blue are one example.
For
example, videos of surf curling into a tube appeared more natural and less greenish-pastel-like
as some plasmas lean toward, and color accuracy is solid across the entire
screen – completely edge-to-edge. Even
3D mode has some amazing abilities.
Where the Samsung F8500 plasma showed great separation in medium
distance films (e.g., a typical Avatar dialog scene), the F8000 created greater
dimensionality and believability. Scenes
appeared more natural and less staged. The Cousteau Ocean Wonderland created
realism where sharks seemed to swim in a space just behind the screen as if I
were peering through glass in an aquarium.
Clarity,
even with only 30 hours on the set, was fantastic. One of the things LED sets
have over plasmas is a characteristic color temperature difference that my eye
is more sensitive to than that of the plasma sets. My eye is more blue
sensitive and my wife’s is more red sensitive. Between the two of us, we both
judged the clarity to both of our eyes as stellar. When low-resolution videos
or commercials pop up, there is a sigh of disappointment heard from both of our
prime viewing positions knowing what is possible but not what was being
displayed. Just as it is when your stereo becomes sufficiently refined are you
selective about the source material you wish to hear, so it is with a high
quality television where you only want to watch those images that demonstrate
the capabilities of the television. There are a few dozen favorite well-recorded
audio tracks with which I am intimately familiar I use as a reference when
auditioning equipment. So it is with HD video where most movies look like MP3
tracks sound – compressed, weak, masked, and thin. Add video terms like
blurred, over driven, color biased, and grainy and you get a good idea of the
number of reference videos in my personal collection.
What
strikes me most is walking into the room and being surprised by this television’s
clarity and accuracy. When entering any of my friends video rooms, there is a
moment of adjustment where I “recalibrate” my senses to the “oh yes, this is a
television and not real life” moment; not the case for this Samsung. Sudden
glances like live baseball games (the 6-8-13 Angels at Boston game on FOX) draw
me into the action and my senses scream “WOW! This is amazing!” The carriage
ride in the 3D Alice in Wonderland where Alice and her mother are talking
before arriving at the party, you can see the glass in the carriage windows is
beveled at the edges and the images actually track the bevels. Watching the live
Indy Car series on ESPN shows more detail in night lighting reflections off of
the suspension arms just as it appears live at the track. Stand blur and stair-step
distortions are hard to find as the camera tracks the car and your eyes scan
the stands.
In
summary, have no hesitations about buying this set. It is pretty close to doing
everything a HD television set should do and the 3D mode is excellent, better
than most movie theaters. While the active glasses burn batteries and off-center
viewing is limited, you will be pleasantly surprised by all of what this set
does well. This set is a keeper and one that will be in our family for a long
time.
UPDATE 6-24
With the set with now well over 100 hours on it, images have stabilized and minor adjustments to the calibration were made. These changes are: GAMMA = -1, BACKLIGHT = 15, BRIGHTNESS = 47.
Colors are still rich, deep and very accurate, difficult for an LED set at any price range to achieve. Still slightly favoring reds, this television picture continues to capture my attention as I walk into the room regardless of what is showing. It may be the fact that the wall behind the set is chocolate brown that caused the white level to appear a bit too strong, but for whatever reason turning the gamma down just a notch helped make the daytime levels more appealing. At night, the colors are equally as impressive and subtle details are amazing. Seeing the weave of sweaters and shadow content in low lighting conditions will impress even the most avid plasma fans.
Minor changes in video processing (along with a firmware update to my OPPO BDP-105) also changed the lip-sync delay. The OPPO's AV DELAY setting now averages +70 or +80 for most source material (this setting changes and is something I have just learned to live with - HOPEFULLY this will be addressed and resolved in the 4K format).
UPDATE 12-19
Reportedly, there is a problem with the video settings file in the original post. So here is a link to the PDF for my current settings. Note that the new BIOS to the OPPO BDP-105 changed the delay most of the time to +40 and at others to +60. I have a real issue with this digital delay issue and I understand why it cannot be "standardized" but hey, that's what sync pulses are for, right? Hope this gets straightened out in the 4K format. I really get tired of adjusting it to watch CNN, and then again to watch movies, and then again...well you get the idea.
UPDATE 6-24
With the set with now well over 100 hours on it, images have stabilized and minor adjustments to the calibration were made. These changes are: GAMMA = -1, BACKLIGHT = 15, BRIGHTNESS = 47.
Colors are still rich, deep and very accurate, difficult for an LED set at any price range to achieve. Still slightly favoring reds, this television picture continues to capture my attention as I walk into the room regardless of what is showing. It may be the fact that the wall behind the set is chocolate brown that caused the white level to appear a bit too strong, but for whatever reason turning the gamma down just a notch helped make the daytime levels more appealing. At night, the colors are equally as impressive and subtle details are amazing. Seeing the weave of sweaters and shadow content in low lighting conditions will impress even the most avid plasma fans.
Minor changes in video processing (along with a firmware update to my OPPO BDP-105) also changed the lip-sync delay. The OPPO's AV DELAY setting now averages +70 or +80 for most source material (this setting changes and is something I have just learned to live with - HOPEFULLY this will be addressed and resolved in the 4K format).
UPDATE 12-19
Reportedly, there is a problem with the video settings file in the original post. So here is a link to the PDF for my current settings. Note that the new BIOS to the OPPO BDP-105 changed the delay most of the time to +40 and at others to +60. I have a real issue with this digital delay issue and I understand why it cannot be "standardized" but hey, that's what sync pulses are for, right? Hope this gets straightened out in the 4K format. I really get tired of adjusting it to watch CNN, and then again to watch movies, and then again...well you get the idea.
Philip Rastocny
I do not use ads in this blog to help support my efforts. If you like what you are reading, please remember to reciprocate, My newest title is called Where, oh Where did the Star of Bethlehem Go? It’s an astronomer’s look at what this celestial object may have been, who the "Wise Men" were, and where they came from. Written in an investigative journalism style, it targets one star that has never been considered before and builds a solid case for its candidacy.
Copyright © 2015 by Philip Rastocny. All rights reserved.
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